Journal Articles
“Aesthetic Normativity in Freiburg: Jonas Cohn as an Alternative to Kant”
History of Philosophy Quarterly (2022) 39 (2)
“Why the Sublime is Aesthetic Awe”
Journal of Aesthetics and Art Criticism (2021) 79 (3): 301-14
“Intersections Between Awe and the Sublime: A Preliminary Empirical Study”
Robert R. Clewis, David Yaden, and Alice Chirico
Empirical Studies of the Arts (2021) 40 (2): 143-73
“Kant sull’umorismo” [in Italian]
Lebenswelt: Aesthetics and Philosophy of Experience 16 (2020): 1-29
“Nature versus Art as Elicitors of the Sublime: A Virtual Reality Study”
Alice Chirico, Robert R. Clewis, David Yaden, Andrea Gaggioli
PLOS One (2021) 16 (3)
“How to Distinguish and Reconcile Sensitive and Conceptual Taste”
Journal of Comparative Literature and Aesthetics 43 (1) (2020): 43-53
“Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty”
Journal of the History of Philosophy 56 (2) (2018): 305-36
Winner of the “Wilfrid Sellars Prize” of the North American Kant Society
“The Sources and Development of Kant’s Views on Aesthetic Normativity”
Contemporary Studies in Kantian Philosophy 4 (2019): 1-19
“Nature, Religion, and Imagination: Comments on Images of History”
History and Theory 57 (3) (2018)
“Kant’s Physical Geography and the Critical Philosophy”
Epoche: A Journal for the History of Philosophy 22 (2) (2018)
“Does Kantian Ethics Condone Mood and Cognitive Enhancement?”
Neuroethics 10 (3) (2017): 349-361
“A Theory of the Sublime is Possible”
Wassard Elea Rivista 4 (2017): 45-68 [see also Clewis, ch. 37 in The Sublime Reader]
“What’s the Big Idea? On Emily Brady’s Sublime”
The Journal of Aesthetic Education 50 (2) (2016): 104-118
“The Place of the Sublime in Kant’s Project”
Studi kantiani 28 (2015): 149-68
“Kant’s Natural Teleology? The Case of Physical Geography”
Kant-Studien 107 (2) (2016): l-29
“What Can Hume Teach Us About Film Evaluation?”
Aisthema 1 (2) (2014): 1-22
“Kant’s Empiricist Rationalism of the Mid-1760s”
Eighteenth-Century Thought (2014) 5: 179-225
“Film Evaluation and the Enjoyment of Dated Films”
Projections: The Journal for Movies and Mind 6 (2) (2012): 42-63
“How to Move Forward: Points of Convergence between Continental and Analytic Philosophy”
Balkan Journal of Philosophy 3 (2) (2011): 153-162
“A Case for Kantian Artistic Sublimity: A Response to Abaci”
Journal of Aesthetics and Art Criticism 68 (2) (2010): 167-170
“Greenberg, Kant, and Aesthetic Judgments of Modernist Art”
AE: Canadian Aesthetics Journal (2008) vol. 18
“Kant’s Consistency Regarding the Regime Change in France”
Philosophy and Social Criticism 32 (4) (2006): 443-460
Prizes
Wilfrid Sellars Prize (North American Kant Society)
Awarded for “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty”
Journal of the History of Philosophy, 2018
ASA, Honorable Mention, “Collaborate”
Honorable Mention, American Society of Aesthetics competition on the future of aesthetics.
American Society of Aesthetics Newsletter (2016) 36.3.
“Sympathy: A Dream Dialogue”
Philosophy Now 119 (2017)